"Tchaikovsky Swan Lake Variation (Arr. for Violin & Piano after Swan Lake, Op. 20, No. 10 by Ketan & Vivan Bhatti)" by Pyotr Ilyich Tchaikovsky, Esther Abrami, Iyad Sughayer was released on November 5, 2021. The duration of Tchaikovsky Swan Lake Variation (Arr. for Violin & Piano after Swan Lake, Op. 20, No. 10 by Ketan & Vivan Bhatti) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Tchaikovsky Swan Lake Variation (Arr. for Violin & Piano after Swan Lake, Op. 20, No. 10 by Ketan & Vivan Bhatti)'s duration is considered a little bit shorter than the average duration of a typical track. Since Tchaikovsky Swan Lake Variation (Arr. for Violin & Piano after Swan Lake, Op. 20, No. 10 by Ketan & Vivan Bhatti) only contains only one song in the album, we like to consider this song as a single. Tchaikovsky Swan Lake Variation (Arr. for Violin & Piano after Swan Lake, Op. 20, No. 10 by Ketan & Vivan Bhatti) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky Swan Lake Variation (Arr. for Violin & Piano after Swan Lake, Op. 20, No. 10 by Ketan & Vivan Bhatti) by Pyotr Ilyich Tchaikovsky, Esther Abrami, Iyad Sughayer having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Starry Night | Remo Anzovino | A Minor | 2 | 8A | 123 BPM | ||
Femme fatale: II. Hedda Gabler | Belinda Gehlert, Zephyr Quartet, Emily Tulloch, Jason Thomas, Hilary Kleinig | E Minor | 1 | 9A | 108 BPM | ||
Sicilienne from Concerto in D Minor, BWV 596 | Johann Sebastian Bach, Antonio Vivaldi, Khatia Buniatishvili | D Minor | 0 | 7A | 59 BPM | ||
When She Loved Me (from "Toy Story 2") | Randy Newman, Olga Scheps | F♯ Major | 0 | 2B | 96 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Igor Levit | E Minor | 0 | 9A | 105 BPM | ||
Notre envol, Duo for Piano & Violin | Raphaël Novarina, Anastasiia mazurok, Emiko Edwards | C Minor | 2 | 5A | 173 BPM | ||
Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta) | Fanny Mendelssohn, Esther Abrami, Her Ensemble | D Major | 2 | 10B | 110 BPM | ||
Primrose | Eusebius | F Major | 2 | 7B | 176 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM |