Eric Hammerstein, National Philharmonic Orchestra's 'Zigeunerliebe Walzer' came out on June 5, 2020. The duration of Zigeunerliebe Walzer is about 3 minutes long, at 3:14. Based on our data, "Zigeunerliebe Walzer" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 47 in the song's album "The Most Beautiful Waltz Music". In this album, this song's track order is #39. In terms of popularity, Zigeunerliebe Walzer is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zigeunerliebe Walzer by Eric Hammerstein, National Philharmonic Orchestra having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio - Instrumental | Remo Giazotto, Richard Kapp, Philharmonia Virtuosi of New York | C Minor | 1 | 5A | 85 BPM | ||
Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM | ||
Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise | Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman | C Major | 1 | 8B | 113 BPM | ||
Turkish Rondo | Eric Hammerstein, The London Promenade Orchestra | A Major | 5 | 11B | 138 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
Dvorák: 8 Humoresques, Op. 101, B. 187: No. 7 in G-Flat Major | Antonín Dvořák, Moura Lympany | B Major | 0 | 1B | 70 BPM | ||
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
Scene Infantili Op. 15: Il Sogno | Maurizio Mastrini | F Major | 1 | 7B | 127 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 1, Promenade I | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 88 BPM |