"Phaeton: Acte I, Scène 4, Vous paraissez chagrin, mon fils" by Jean-Baptiste Lully, Christophe Rousset, Ingrid Perruche, Chœur De Chambre De Namur, Emiliano Gonzalez Toro, Les Talens Lyriques was released on October 21, 2013. With this song being about 5 minutes long, at 5:17, "Phaeton: Acte I, Scène 4, Vous paraissez chagrin, mon fils" by Jean-Baptiste Lully, Christophe Rousset, Ingrid Perruche, Chœur De Chambre De Namur, Emiliano Gonzalez Toro, Les Talens Lyriques is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques, Chœur De Chambre De Namur's "Lully: Phaéton" album is number 16 out of 55. In terms of popularity, Phaeton: Acte I, Scène 4, Vous paraissez chagrin, mon fils is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Phaeton: Acte I, Scène 4, Vous paraissez chagrin, mon fils by Jean-Baptiste Lully, Christophe Rousset, Ingrid Perruche, Chœur De Chambre De Namur, Emiliano Gonzalez Toro, Les Talens Lyriques to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Armide, LWV 71, Act II Scene 2: Arrêtons-nous ici (Hidraot, Armide) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Tomislav Lavoie, Stéphanie D'Oustrac | F Minor | 1 | 4A | 111 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Muzettes I-II - 3ème livre de Pièces de viole (Marin Marais) | Marin Marais, Pierre Hantaï, Rolf Lislevand, Jordi Savall | A♭ Major | 0 | 4B | 88 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Le Bourgeois Gentilhomme: 1er et 2nd espagnols enjoues ensemble | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Philippe Roche, Yves Coudray | A Major | 2 | 11B | 69 BPM |