"The Seasons, Op. 37a: V. May. Les nuits de mai. Andantino" by Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov was released on June 1, 2014. With this song being about 5 minutes long, at 4:39, "The Seasons, Op. 37a: V. May. Les nuits de mai. Andantino" by Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Tchaikovsky: The Seasons, Op. 37a". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Seasons, Op. 37a: V. May. Les nuits de mai. Andantino is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Seasons, Op. 37a: V. May. Les nuits de mai. Andantino by Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme of Corelli, Op. 42: Var. 9. Un poco più mosso | Sergei Rachmaninoff, Howard Shelley | B♭ Major | 1 | 6B | 125 BPM | ||
Tchaikovsky: Valse-scherzo, Op. 7 | Pyotr Ilyich Tchaikovsky, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
6 Etudes, Op. 111: V. Tierces majeures chromatiques | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
ショパン:ワルツ第12番 ヘ短調 作品70の2(遺作) | タチアナ・シェバノワ | F Major | 1 | 7B | 142 BPM | ||
6 Piano Preludes, Op. 12: No. 2 in E-Flat Minor | Abram Chasins, Margarita Glebov | D♭ Major | 4 | 3B | 94 BPM | ||
Händel Variations & Fugue, Op. 24: Variation V. Espressivo | Johannes Brahms, Nino Gvetadze | D♭ Minor | 0 | 12A | 82 BPM | ||
4 Preludes, Op. 22: No. 3 in B Major, Allegretto | Alexander Scriabin, Dmitry Rachmanov | A♭ Minor | 1 | 1A | 69 BPM | ||
Tempo Di Valse | Michael Shapiro, Steven Beck | E♭ Minor | 1 | 2A | 116 BPM | ||
Prélude, Choral et Fugue FWV 21: No. 2, Choral. Poco più lento | César Franck, Jean-Pierre Armengaud | G Minor | 0 | 6A | 81 BPM | ||
24 Preludes, Op. 34: No. 1 in C Major. Moderato | Dmitri Shostakovich, Tatiana Nikolayeva | D Minor | 0 | 7A | 70 BPM |