タチアナ・シェバノワ's 'ショパン:ワルツ第12番 ヘ短調 作品70の2(遺作)' had a release date set for June 21, 1991. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. ショパン:ワルツ第12番 ヘ短調 作品70の2(遺作)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ショパン:ワルツ集(全19曲), so we believe that "ショパン:ワルツ第12番 ヘ短調 作品70の2(遺作)" is a single. Based on our statistics, ショパン:ワルツ第12番 ヘ短調 作品70の2(遺作)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ショパン:ワルツ第12番 ヘ短調 作品70の2(遺作) by タチアナ・シェバノワ is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ノクターン 第1番(フィールド) | エヴァ・ポブウォツカ | F♯ Major | 0 | 2B | 135 BPM | ||
Carnaval, Op. 9: I. Préambule. Quasi maestoso | Robert Schumann, Stephen Hough | F Major | 0 | 7B | 96 BPM | ||
Bereceuse, Op. 57 | Valentina Lisitsa | D♭ Major | 0 | 3B | 134 BPM | ||
Variations on a Theme by Robert Schumann, Op. 9: Var. 10, Poco adagio | Johannes Brahms, Mari Kodama | D Major | 0 | 10B | 66 BPM | ||
Etude Op. 136 Nr. 20 | Carl Albert Loeschhorn, José Manuel Ortega Caballo | E Minor | 2 | 9A | 175 BPM | ||
ショパン:24の前奏曲(プレリュード)集 作品28;第21番 変ロ長調 | タチアナ・シェバノワ | G Major | 0 | 9B | 74 BPM | ||
C:11 Somebody to Love | Phillip Keveren, Freddie Mercury, Mercury, Robert Thompson | C Minor | 1 | 5A | 124 BPM | ||
Prelude in G-Sharp Minor | John C Buttigieg | A♭ Minor | 1 | 1A | 67 BPM | ||
Songs Without Words, Book 7, Op. 85: No. 5 in A Major, MWV U 191 | Felix Mendelssohn, Christopher Williams | B♭ Major | 6 | 6B | 148 BPM | ||
12 Etudes, Op. 8: No. 8 in A-Flat Major | Alexander Scriabin, Daniela Roma | D♭ Major | 0 | 3B | 69 BPM |