"Souvenirs, Op. 28: V. Hesitation-Tango" by Samuel Barber, John Browning, Leonard Slatkin was released on May 14, 1991. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 13 in Barber: Symphony No. 1/Piano Concerto/Souvenirs by Samuel Barber, Leonard Slatkin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Souvenirs, Op. 28: V. Hesitation-Tango is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Souvenirs, Op. 28: V. Hesitation-Tango by Samuel Barber, John Browning, Leonard Slatkin is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Watchers | Samuel Barber, Filippo Farinelli, Leilah Dione Ezra, Mauro Borgioni, Elisabetta Lombardi | D Minor | 1 | 7A | 57 BPM | ||
3 Songs, the Words from Old England: III. Hey Nanny No! | Samuel Barber, Filippo Farinelli, Leilah Dione Ezra, Mauro Borgioni, Elisabetta Lombardi | D♭ Major | 2 | 3B | 167 BPM | ||
III. Presto in moto perpetuo | Samuel Barber, Leonard Slatkin, St. Louis Symphony, Elmar Oliveria | A Minor | 2 | 8A | 96 BPM |