"Symphonie fantastique, Op. 14, H 48: 3. Scène aux champs (Adagio)" by Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado was released on January 1, 2003. Symphonie fantastique, Op. 14, H 48: 3. Scène aux champs (Adagio) appears to be safe for all ages as it is not explicit. The song is number 4 out of 9 in Berlioz: Symphonie fantastique by Hector Berlioz, Chicago Symphony Orchestra, Berliner Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphonie fantastique, Op. 14, H 48: 3. Scène aux champs (Adagio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14, H 48: 3. Scène aux champs (Adagio) by Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con moto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 70 BPM | ||
Enigma Variations: Variation VIII. W.N - Allegretto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 0 | 9B | 106 BPM | ||
March to the Scaffold | Hector Berlioz, Georges Prêtre | B♭ Major | 3 | 6B | 148 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
The Hebrides (Fingal's Cave), Op. 26, MWV P 7 | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
La Damnation de Faust, Op.24 / Part 2: Air de Méphistophélès. "Voici des roses" | Hector Berlioz, Erwin Schrott, Orquestra de la Comunitat Valenciana, Riccardo Frizza | D Major | 2 | 10B | 73 BPM | ||
Hungarian Dance No.13 In D | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 127 BPM | ||
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Symphony No. 9 in C Major, D. 944 "The Great": II. Andante con moto | Franz Schubert, Orchestra Mozart, Claudio Abbado | A Minor | 0 | 8A | 108 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM |