"Hero & Leander: Hero's Complaint to Leander" by Nicholas Lanier, Paul Agnew, Christopher Wilson was released on January 1, 1999. Hero & Leander: Hero's Complaint to Leander appears to be safe for all ages as it is not explicit. The track order of this song in Nicholas Lanier, Paul Agnew's "Lanier: Hero & Leander" album is number 4 out of 12. In terms of popularity, Hero & Leander: Hero's Complaint to Leander is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hero & Leander: Hero's Complaint to Leander by Nicholas Lanier, Paul Agnew, Christopher Wilson to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Prime die Lectio secunda: XVI. Peccatum peccavit Hierusalem | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Major | 1 | 4B | 105 BPM | ||
Biber: Requiem a 15 in A Major: VI. Agnus Dei | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 108 BPM | ||
Tenebrae Responsories for Maundy Thursday: In monte Oliveti: a. Respond. In monte Oliveti | Carlo Gesualdo, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 81 BPM | ||
Sonata a 4 | Gabriele Usper, The Illyria Consort, Bojan Čičić, Gawain Glenton | F♯ Major | 2 | 2B | 86 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "Salve Jesu, pastor bone" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane | C Minor | 2 | 5A | 90 BPM | ||
Suite in A Minor: II. Allemande La Royalle | Robert de Visée, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM | ||
Vespro della Beata Vergine, SV 206: V. Concerto "Pulchra es" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | A♭ Major | 0 | 4B | 114 BPM | ||
Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 78 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM |