"String Quartet No. 5: I. —" by Philip Glass, Carducci String Quartet was released on September 4, 2015. With String Quartet No. 5: I. — being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alisa Weilerstein, Inon Barnatan, Philip Glass, Carducci String Quartet, Cian O'Dúill, Gemma Rosefield's "Glass: String Quartet No. 5, Suite from Dracula & String Sextet" album is number 1 out of 17. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, String Quartet No. 5: I. — is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 5: I. — by Philip Glass, Carducci String Quartet to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
The Truman Show: Truman Sleeps - Long Version | Philip Glass, Valentina Lisitsa | A♭ Major | 0 | 4B | 89 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | ||
Tabuh-Tabuhan: I. Ostinatos | Colin McPhee, Leonard Slatkin, BBC Symphony Orchestra, John Alley, Elizabeth Burley | D Minor | 2 | 7A | 108 BPM | ||
In the Upper Room: Dance I | Philip Glass, Michael Riesman | D Minor | 1 | 7A | 200 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 2 | 7B | 176 BPM | ||
Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | C Major | 1 | 8B | 174 BPM |