"Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072" by Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester was released on September 16, 2016. The duration of Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072 is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ÜberBach, so we believe that "Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072" is a single. The popularity of Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072 by Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester is Vivace (lively and fast), since this song has a tempo of 174 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Darkness Dawns | Paul Smith, Caroline Dale, Barnaby Smith | F Major | 2 | 7B | 86 BPM | ||
Signs of Silence | Anna Bondareva | G Major | 2 | 9B | 108 BPM | ||
Adagietto | Arash Safaian, Sebastian Knauer | G Major | 0 | 9B | 89 BPM | ||
No Shepherds Live Here | Kristin Berardi, Sean Foran, Rafael Karlen, Pascal Schumacher | A♭ Major | 2 | 4B | 139 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
Three Pieces in Olden Style: 2. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | F Major | 4 | 7B | 97 BPM | ||
Czardas | Vittorio Monti, Walter Hilgers, Sebastian Knauer | D Minor | 2 | 7A | 146 BPM | ||
Antigua 6 (Gigue) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
Hour of a Man | Paolo MIllon, Neon Lilith, Oscar La Fitte, Jack Chicoran | F Minor | 1 | 4A | 112 BPM | ||
Sunrise Mass: I. The Spheres | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | G Major | 2 | 9B | 77 BPM |