Henry Purcell, The English Guitar Quartet made "Suite No. 1 from "The Fairy Queen": V. Dance for the Fairies" available on 1990. With Suite No. 1 from "The Fairy Queen": V. Dance for the Fairies being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 20 in Baroque Guitar Quartets by The English Guitar Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Suite No. 1 from "The Fairy Queen": V. Dance for the Fairies is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Suite No. 1 from "The Fairy Queen": V. Dance for the Fairies by Henry Purcell, The English Guitar Quartet is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Trio Sonata in G Major: I. Largo | Johann Gottlieb Graun, Berliner Barock Compagney | F♯ Major | 1 | 2B | 97 BPM | ||
Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina" | Marco Uccellini, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Oboe Concerto in C Major, RV 452: III. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Asaggio - Arranged for Guitar by P.O. Johnson: Bourrée | Johan Helmich Roman, Göran Söllscher | B♭ Major | 2 | 6B | 93 BPM | ||
The Fairy Queen - Act I - Rondeau | Jordi Savall, Henry Purcell | B♭ Major | 5 | 6B | 74 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
Sonata in E Minor, Op. 2, No. 4: I.-IV. Preludio - Allemanda - Grave - Giga | Arcangelo Corelli, Simon Standage, Michaela Comberti, Trevor Pinnock, Anthony Pleeth | E♭ Minor | 1 | 2A | 73 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM |