"Fanfare for the Common Man" by Aaron Copland, Dallas Symphony Orchestra, Donald Johanos was released on January 1, 1991. The duration of Fanfare for the Common Man is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Fanfare for the Common Man's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Copland, Ives & Rachmaninoff: Orchestral Works by Donald Johanos, Dallas Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Fanfare for the Common Man is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fanfare for the Common Man by Aaron Copland, Dallas Symphony Orchestra, Donald Johanos is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Charterhouse Suite: Quick Dance | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | E Minor | 1 | 9A | 120 BPM | ||
The Red Pony Suite: I. Morning on the Ranch | Aaron Copland, New Philharmonia Orchestra | F Major | 3 | 7B | 76 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
The Tender Land (Opera in Three Acts): Act 2: That evening. Lively and rough | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic | F Minor | 1 | 4A | 91 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
The Firebird - Disparition du Palais et des Sortileges de Kastchei, Animation de Chevaliers Petrifies, Allegresse Generale | Igor Stravinsky, BBC National Orchestra Of Wales, Thierry Fischer | B Major | 2 | 1B | 90 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM |