"The Tender Land (Opera in Three Acts): Act 2: That evening. Lively and rough" by Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic was released on February 16, 2024. The duration of The Tender Land (Opera in Three Acts): Act 2: That evening. Lively and rough is about 3 minutes long, at 3:21. Based on our data, "The Tender Land (Opera in Three Acts): Act 2: That evening. Lively and rough" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 17 in Copland: The Tender Land by Aaron Copland, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Tender Land (Opera in Three Acts): Act 2: That evening. Lively and rough is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Tender Land (Opera in Three Acts): Act 2: That evening. Lively and rough by Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Concerto for Clarinet, Strings & Harp: I. Slowly and expressively | Aaron Copland, Benny Goodman, Abba Bogin, Laura Newell, Columbia Symphony Orchestra | D Minor | 1 | 7A | 60 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Major | 1 | 3B | 85 BPM | ||
Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | ||
Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
American Rhapsody | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D♭ Major | 0 | 3B | 98 BPM | ||
Ye Banks And Braes O' Bonnie Doon | Percy Grainger, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 78 BPM | ||
Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM |