Aaron Copland, Los Angeles Philharmonic, Zubin Mehta's 'Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn' came out on January 1, 2009. The duration of Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Appalachian Spring – Simple Gifts and no other songs are present in the album, we classify this track as a single. Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lincolnshire Posy: II. Horkstow Grange | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | D♭ Major | 0 | 3B | 66 BPM | ||
Symphony No. 1: I. Allegro con moto | Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel | D Minor | 1 | 7A | 129 BPM | ||
"West Side Story" - Symphonic Dances: V. Cha-cha - Live | Leonard Bernstein, Los Angeles Philharmonic | G Major | 0 | 9B | 106 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace) | Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 118 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM |