"Te Deum, WAB 45: 2. Te ergo" by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll was released on January 1, 1999. The duration of Te Deum, WAB 45: 2. Te ergo is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Te Deum, WAB 45: 2. Te ergo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Bruckner: Te Deum; Motetten; 150. Psalm by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Richard Holm, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Bavarian Radio Chorus, Wolfgang Meyer, Hedwig Bilgram. Te Deum, WAB 45: 2. Te ergo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, WAB 45: 2. Te ergo by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 58 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Parsifal, WWV 111 / Act I: Verwandlungsmusik | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 91 BPM | ||
The House of Life: Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | G Major | 1 | 9B | 92 BPM | ||
Symphony No. 4 In B Flat, Op. 60: 3. Allegro vivace | Ludwig van Beethoven, Eugen Jochum, Berliner Philharmoniker | B♭ Major | 0 | 6B | 136 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1, Introduction | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Rundfunkchor Berlin | D Minor | 2 | 7A | 72 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | ||
Stabat Mater: Stabat Mater: IV. Quae moerebat et dolebat | Francis Poulenc, Cappella Amsterdam, Daniel Reuss, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 4. Rondes printanières | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 61 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM |