Henry Purcell, John Eliot Gardiner, Elisabeth Priday, The Monteverdi Choir, English Baroque Soloists's 'Purcell: King Arthur, Z. 628, Act III: Ritornello. "Tis I That Have Warm'd Ye" - Chorus. "Tis Love That Has Warm'd Us"' came out on 2008. The duration of Purcell: King Arthur, Z. 628, Act III: Ritornello. "Tis I That Have Warm'd Ye" - Chorus. "Tis Love That Has Warm'd Us" is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Purcell: King Arthur, Z. 628, Act III: Ritornello. "Tis I That Have Warm'd Ye" - Chorus. "Tis Love That Has Warm'd Us"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "The Classical Guide to Purcell". In this album, this song's track order is #20. In terms of popularity, Purcell: King Arthur, Z. 628, Act III: Ritornello. "Tis I That Have Warm'd Ye" - Chorus. "Tis Love That Has Warm'd Us" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: King Arthur, Z. 628, Act III: Ritornello. "Tis I That Have Warm'd Ye" - Chorus. "Tis Love That Has Warm'd Us" by Henry Purcell, John Eliot Gardiner, Elisabeth Priday, The Monteverdi Choir, English Baroque Soloists having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Tune | Bertalan Hock, György Geiger, Henry Purcell | D Major | 2 | 10B | 101 BPM | ||
The Fairy Queen, Z. 629: Act V: Trio And Chorus | The Scholars Baroque Ensemble, Elkanah Settle, Henry Purcell | B Major | 2 | 1B | 66 BPM | ||
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 105 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave" | Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
The Fairy Queen, Z. 629 / Act 3: A Song In Two Parts And Chorus: "If Love's a Sweet Passion" | Henry Purcell, Jennifer Smith, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 1 | 2B | 135 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM |