"Parsifal, WWV 111 / Act 2: "Ich sah das Kind an seiner Mutter Brust"" by Richard Wagner, Frida Leider, Unknown Orchestra was released on January 1, 2013. With this song being about 5 minutes long, at 4:33, "Parsifal, WWV 111 / Act 2: "Ich sah das Kind an seiner Mutter Brust"" by Richard Wagner, Frida Leider, Unknown Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Richard Wagner, Kirsten Flagstad, Birgit Nilsson, Astrid Varnay, Max Lorenz, Lauritz Melchior, Hans Hotter, Josef Greindl's "Great Wagner Singers" album is number 3 out of 76. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Parsifal, WWV 111 / Act 2: "Ich sah das Kind an seiner Mutter Brust" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Parsifal, WWV 111 / Act 2: "Ich sah das Kind an seiner Mutter Brust" by Richard Wagner, Frida Leider, Unknown Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Prince Igor (Knyaz Igor): Act II: Myedlenno dyn' ugasal (Slowly the day was fading) (Vladimir) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 2 | 4B | 82 BPM | ||
Stravinsky: Symphony in C: I. Moderato alla breve | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | C Major | 0 | 8B | 147 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess) | Benjamin Britten, Daniel Harding, Jane Henschel, Mahler Chamber Orchestra | D Major | 0 | 10B | 111 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM |