"Piano Concerto in F Major: III. Allegro agitato" by George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta was released on February 7, 2012. Since Piano Concerto in F Major: III. Allegro agitato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta's "Gershwin: Piano Concerto in F Major, 2nd Rhapsody & I Got Rhythm Variations" album is number 3 out of 5. On top of that, United States appears to be the country where this track was created. Piano Concerto in F Major: III. Allegro agitato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto in F Major: III. Allegro agitato by George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, London Philharmonic Orchestra | E Minor | 1 | 9A | 137 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
Havanola | Hugo Frey, George Gershwin | F Major | 2 | 7B | 114 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Rhapsody In G Minor, Op.79, No.2 | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
Wedding Cake, Op. 76, R. 124 | Camille Saint-Saëns, Romain Descharmes, Malmö Symphony Orchestra, Marc Soustrot | A♭ Major | 1 | 4B | 75 BPM | ||
Porgy and Bess (arr. J. Heifetz for violin and piano): I. Summertime - A Woman is a Sometime Thing | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | G Major | 2 | 9B | 65 BPM | ||
3 Preludes (arr. J. Heifetz): No. 1. Allegro ben ritmato e deciso | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | C Minor | 3 | 5A | 102 BPM | ||
Porgy and Bess / Act 1: Introduction - Jazzbo Brown Blues | George Gershwin, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 136 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 174 BPM |