Johann Sebastian Bach, Yo-Yo Ma's 'Unaccompanied Cello Suite No. 1 in G major, BWV 1007: V. Menuets I & II' came out on August 17, 2018. The duration of Unaccompanied Cello Suite No. 1 in G major, BWV 1007: V. Menuets I & II is about 3 minutes long, at 3:27. Based on our data, "Unaccompanied Cello Suite No. 1 in G major, BWV 1007: V. Menuets I & II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Six Evolutions - Bach: Cello Suites". In this album, this song's track order is #5. In terms of popularity, Unaccompanied Cello Suite No. 1 in G major, BWV 1007: V. Menuets I & II is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Unaccompanied Cello Suite No. 1 in G major, BWV 1007: V. Menuets I & II by Johann Sebastian Bach, Yo-Yo Ma having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 3 in C Minor, Op. 101: Andante grazioso | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | C Major | 0 | 8B | 124 BPM | ||
Keyboard Sonata in E-Flat Major, F. 5: II. Largo | Wilhelm Friedemann Bach, Anthony Spiri | C Minor | 0 | 5A | 113 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Elegy | John Williams, Yo-Yo Ma, Los Angeles Recording Arts Orchestra | G Major | 1 | 9B | 61 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825: III. Courante | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Lorin Maazel, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 118 BPM |