Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss's 'Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco' came out on August 6, 2021. Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss's "Lachner: Symphony No. 6, Op. 56 & Bassoon Concertino, Op. 23" album is number 5 out of 7. Based on our statistics, Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco by Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 "Reformation", Op. 107: II. Allegro vivace | Felix Mendelssohn, Maxim Emelyanychev, Scottish Chamber Orchestra | B♭ Major | 0 | 6B | 181 BPM | ||
Orchestral Sounds | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | A Minor | 0 | 8A | 84 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Symphony No.4 in A (Italian): Second Movement (Pilgrim's March) | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VII. Der stürmende Aeolus | Georg Philipp Telemann, Robert King, The King's Consort | F♯ Major | 5 | 2B | 140 BPM | ||
Symphony No. 1, Op. 11: I. Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco | Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss | C Minor | 1 | 5A | 128 BPM | ||
String Quartet No. 11, Op. 122: I. Introduction. Andantino | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata I. "Pater, dimitte illis, quia nesciunt, quid faciunt" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 1 | 11B | 141 BPM |