"Night Waltz" by D-Bastian had its release date on February 15, 2023. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 6 in the song's album "THE SCENE". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Night Waltz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Night Waltz by D-Bastian having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las mil y una noches: 4. Simbad el marino | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 119 BPM | ||
Jumanji: The Jumanji Overture | Danish National Symphony Orchestra, Christian Schumann | D Minor | 5 | 7A | 141 BPM | ||
Hymn Tune Prelude on "Song 13" (Version for Orchestra) | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM | ||
Asunder: II. Patient & mysterious | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
Caylus massacre | Philippe Sarde | D Minor | 1 | 7A | 88 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 5, Schattenhaft | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Re-entry | Peter Ross PinkSmit | B Minor | 2 | 10A | 81 BPM | ||
Asunder: III. Calm and precise | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | E Minor | 1 | 9A | 178 BPM | ||
BACKFIELD TO ATTACK | STELLERO | G Major | 1 | 9B | 71 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM |