"Hymn Tune Prelude on "Song 13" (Version for Orchestra)" by Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron was released on February 9, 2024. The duration of Hymn Tune Prelude on "Song 13" (Version for Orchestra) is about 3 minutes long, at 3:23. Based on our data, "Hymn Tune Prelude on "Song 13" (Version for Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Retrospect by Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck. The song's track number on the album is #8 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Hymn Tune Prelude on "Song 13" (Version for Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hymn Tune Prelude on "Song 13" (Version for Orchestra) by Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hymn Tune Prelude on "Song 13" (Version for Orchestra) being at 79 テンポ, the half-time would be 40 テンポ with a double-time of 158 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oíche Mhaith a Sheáin | Máire Carroll, Kristan Swain | D Major | 0 | 10B | 62 BPM | ||
Igual Con Diferencias | Los Triunfadores | A Minor | 3 | 8A | 78 BPM | ||
Tippett: Concerto for Double String Orchestra: II. Adagio cantabile | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 76 BPM | ||
Clues Are Nothing | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brandt Martin, Royal Philarmonic Cunes | A♭ Major | 1 | 4B | 67 BPM | ||
The Pearl Fishers: Duet. Au fond du temple saint | Georges Bizet, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Concertino for Horn and Orchestra, Op. 45, J. 188: I. Adagio – Andante | Carl Maria von Weber, Martin Owen, BBC Philharmonic, John Wilson | E Major | 1 | 12B | 118 BPM | ||
Handan's Funeral | Ümit Önder, Ayşe Önder | E♭ Major | 1 | 5B | 90 BPM | ||
Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) | Charles Koechlin, Toon Fret, Veronika Iltchenko | A Minor | 0 | 8A | 74 BPM | ||
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM |