"Ave Maria (Attrib. G. Caccini) [Arr. T. Kohno for Guitar]: Ave Maria (Attrib. G. Caccini) [Arr. T. Kohno for Guitar]" by Vladimir Vavilov, Tomomi Kohno was released on October 2, 2020. With this song being about 5 minutes long, at 4:49, "Ave Maria (Attrib. G. Caccini) [Arr. T. Kohno for Guitar]: Ave Maria (Attrib. G. Caccini) [Arr. T. Kohno for Guitar]" by Vladimir Vavilov, Tomomi Kohno is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Oración". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Japan. Ave Maria (Attrib. G. Caccini) [Arr. T. Kohno for Guitar]: Ave Maria (Attrib. G. Caccini) [Arr. T. Kohno for Guitar] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria (Attrib. G. Caccini) [Arr. T. Kohno for Guitar]: Ave Maria (Attrib. G. Caccini) [Arr. T. Kohno for Guitar] by Vladimir Vavilov, Tomomi Kohno having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | B Major | 3 | 1B | 102 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Ave Maria (attrib. to D. Caccini) | Vladimir Vavilov, Maria Bieshu, Studio lute player, Studio organist | A Minor | 2 | 8A | 84 BPM | ||
The Terry Theme From "Limelight" / La Violetera From "City Lights" / Je cherche après Titine From "Modern Times" / Awakening From "Limelight" / Theme From "Modern Times" - CITY MEMORIES | Charlie Chaplin, Jose Padilla Sanchez, Léo Daniderff, Louis Maubon, Claude Bertal, Emile Ronn, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | C Minor | 2 | 5A | 82 BPM | ||
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
Moscow Nights | Vasily Solovyov-Sedoi, Nemanja Radulović, Double Sens | A Minor | 1 | 8A | 88 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Concerto pour hautbois: Adagio | Benedetto Marcello, Orchestre Paul Kuentz, Chantal Perrier-Layec, Monique Frasca-Colombier, Régis Manceau, Gildas Prado | D Minor | 1 | 7A | 64 BPM | ||
Ave Maria | Giorgia Fumanti | B♭ Major | 3 | 6B | 79 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM |