"Act III. Hungarian dance. Czardas" by Moscow New Philharmonic Orchestra, Vladimir Ponkin was released on 2004. The duration of Act III. Hungarian dance. Czardas is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Act III. Hungarian dance. Czardas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "P. Tchaikovsky: The Swan Lake, ballet (excerpts)". In this album, this song's track order is #9. Act III. Hungarian dance. Czardas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Act III. Hungarian dance. Czardas by Moscow New Philharmonic Orchestra, Vladimir Ponkin having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | ||
La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | ||
The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell | Igor Stravinsky, Philharmonia Orchestra, Robert Craft | F♯ Major | 4 | 2B | 156 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | G Major | 1 | 9B | 89 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: Fairies' March | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | E Minor | 0 | 9A | 153 BPM | ||
The Hebrides - Overture (Fingal's Cave) Op. 26 | Felix Mendelssohn, Royal Concertgebouw Orchestra, Bernard Haitink | F Major | 2 | 7B | 123 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Major | 1 | 7B | 109 BPM | ||
Navarra, Op. 33 | Pablo de Sarasate, Itzhak Perlman, David Garvey | A Major | 2 | 11B | 101 BPM |