"A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: Fairies' March" by Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1994. With A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: Fairies' March being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's "Mendelssohn: A Midsummer Night's Dream" album is number 4 out of 15. Based on our statistics, A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: Fairies' March's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: Fairies' March by Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa to be Allegro (fast, quick, and bright) because the track has a tempo of 153 テンポ, a half-time of 76テンポ, and a double-time of 306 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Piano Concerto No. 1 in F-Sharp Minor, Op. 1: I. Vivace | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F♯ Minor | 2 | 11A | 88 BPM | ||
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
Sinfonia No. 4 in C Minor, MWV N4: II. Andante | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | E Minor | 1 | 9A | 129 BPM | ||
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 2 | 9B | 90 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D♭ Minor | 1 | 12A | 87 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: III. Minuetto | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 82 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 1 | 12B | 90 BPM |