"16. Hail Poetry, thou heav'n born maid!" by Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey was released on January 1, 1968. With 16. Hail Poetry, thou heav'n born maid! being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 2 out of 40. On top of that, United Kingdom appears to be the country where this track was created. 16. Hail Poetry, thou heav'n born maid! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 16. Hail Poetry, thou heav'n born maid! by Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julius Caesar, HWV 17, Act III Scene 1: And so in one brief hour all my glory is gone? (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | D Major | 0 | 10B | 178 BPM | ||
Songs of Travel: Let Beauty awake | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Minor | 1 | 12A | 71 BPM | ||
Carmen, Act III, No.24 Finale: Toréador en garde! (Escamillo) | Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Major | 0 | 7B | 92 BPM | ||
Verdi: Aida, Act 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Aida, Radamès, Amneris, Chorus) | Giuseppe Verdi, Riccardo Muti, Fiorenza Cossotto, Luigi Roni, Montserrat Caballé, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | A Major | 4 | 11B | 89 BPM | ||
Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Minor | 3 | 5A | 112 BPM | ||
Otello / Act 2: "Dove guardi splendono" | Giuseppe Verdi, Luciano Pavarotti, Kiri Te Kanawa, Leo Nucci, The Metropolitan Childrens Chorus, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 1 | 12B | 112 BPM | ||
Simon Boccanegra / Act 1: "Come in quest'ora bruna" (Amelia) | Giuseppe Verdi, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Major | 1 | 6B | 94 BPM | ||
Che fiero costume | Giovanni Legrenzi, Elisabetta Pallucchi, Filippo Farinelli | F Minor | 0 | 4A | 127 BPM | ||
H.M.S. Pinafore / Act 1: Now give three cheers...I am the monarch of the sea | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, John Reed, Joyce Wright, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 93 BPM | ||
Requiem: 8. Lux aeterna & Libera me | Andrew Lloyd Webber, Plácido Domingo, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman | D Minor | 0 | 7A | 93 BPM |