Harry Burleigh, Traditional, Victor Simonson, Lester Lynch's 'Every Time I Feel the Spirit (arr. H.T. Burleigh and V. Simonson for voice and piano)' came out on February 3, 2017. The duration of Every Time I Feel the Spirit (arr. H.T. Burleigh and V. Simonson for voice and piano) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Every Time I Feel the Spirit (arr. H.T. Burleigh and V. Simonson for voice and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "On My Journey Now: Spirituals & Hymns". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Every Time I Feel the Spirit (arr. H.T. Burleigh and V. Simonson for voice and piano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Every Time I Feel the Spirit (arr. H.T. Burleigh and V. Simonson for voice and piano) by Harry Burleigh, Traditional, Victor Simonson, Lester Lynch having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening Songs, Op. 3: No. 2, Mně zdálo se | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Major | 1 | 9B | 86 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
Mammy's Li'l Baby | Harry Burleigh, Oral Moses, Ann Sears | F Major | 0 | 7B | 73 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 7. Mother | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Sweet Chance That Led My Steps Abroad | Charlotte Hoather, George Todica | F Major | 2 | 7B | 135 BPM | ||
You Ask Me if I Love You | Harry Burleigh, Regina McConnell, Michael Cordovana | F Major | 1 | 7B | 97 BPM | ||
Sancta civitas: Therefore are they before the throne of God | Ralph Vaughan Williams, Andrew Staples, Matthew Brook, The Bach Choir, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 103 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | G Minor | 2 | 6A | 176 BPM |