Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 28.2 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 28.2 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:24. Based on our data, "Kapitel 28.2 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #58 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Kapitel 28.2 - Wie Google tickt - How Google Works is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 28.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 173 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Kapitel 28.2 - Wie Google tickt - How Google Works being at 173 テンポ, the half-time would be 86 テンポ with a double-time of 346 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Major, Op. 86, B. 153: II. Gloria | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 81 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
Petite messe solennelle: XVIII. Agnus Dei | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, José Maria Lo Monaco, Francesco Corti, Cristiano Gaudio, Deniel Perer | D Major | 1 | 10B | 91 BPM | ||
Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | B♭ Major | 2 | 6B | 80 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
"Sweeter Than Roses", Z.585 | Henry Purcell, Emma Kirkby, Anthony Rooley | G Major | 0 | 9B | 109 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Bella porta di rubini | Andrea Falconieri, Elisabetta Pallucchi, Filippo Farinelli | F Major | 1 | 7B | 118 BPM | ||
Petite messe solennelle: Qui tollis | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva, Delphine Galou | D♭ Major | 1 | 3B | 75 BPM | ||
Requiem in E-Flat Minor: IX. Benedictus | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko | E♭ Major | 0 | 5B | 167 BPM |