"Misa Tango: V. Benedictus" by MartÍn Palmeri, Astoria, Philippe Gérard was released on June 4, 2021. The duration of Misa Tango: V. Benedictus is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Misa Tango: V. Benedictus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in MartÍn Palmeri, The New Baroque Times Voices, Philippe Gérard, Astoria's "Misa Tango" album is number 5 out of 9. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Misa Tango: V. Benedictus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Misa Tango: V. Benedictus by MartÍn Palmeri, Astoria, Philippe Gérard to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misa Tango: I. Kyrie | MartÍn Palmeri, Astoria, Philippe Gérard | G Minor | 0 | 6A | 112 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Missa ex B: X. Amen - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
Tango Gloria: Laudamus te | MartÍn Palmeri, Heidi Maria Taubert, Annekathrin Laabs, Clemens Heidrich, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | D Major | 1 | 10B | 128 BPM | ||
Stabat Mater in F Minor, RV 621: No. 2., Cuius animam gementem | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |