"Otello, Act IV: Act IV: Ave Maria (Desdemona)" by Giuseppe Verdi, Raffaella Angeletti, Oviedo Filarmonía, Friedrich Haider was released on November 4, 2014. With this song being about 5 minutes long, at 4:45, "Otello, Act IV: Act IV: Ave Maria (Desdemona)" by Giuseppe Verdi, Raffaella Angeletti, Oviedo Filarmonía, Friedrich Haider is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Otello by Giuseppe Verdi, Robert Dean Smith, Raffaella Angeletti, Los Peques del León de Oro, Orfeon Donostiarra, Friedrich Haider. The song's track number on the album is #12 out of 35 tracks. Otello, Act IV: Act IV: Ave Maria (Desdemona) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Otello, Act IV: Act IV: Ave Maria (Desdemona) by Giuseppe Verdi, Raffaella Angeletti, Oviedo Filarmonía, Friedrich Haider has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Otello, Act IV: Act IV: Ave Maria (Desdemona) being at 89 テンポ, the half-time would be 44 テンポ with a double-time of 178 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida: Overture | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | D Major | 0 | 10B | 83 BPM | ||
La Traviata / Act 2: "Avrem lieta di maschere la notte" | Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 84 BPM | ||
Nabucco / Act IV: Dio di Giuda! | Giuseppe Verdi, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Major | 1 | 8B | 68 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2: "Questo è il fin di chi fa mal!" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, Natale de Carolis, Samuel Ramey, Susanne Mentzer, Wiener Philharmoniker | F Major | 1 | 7B | 95 BPM | ||
III. Quis est homo (Duet) | Gioachino Rossini, Howard Arman | E Major | 1 | 12B | 78 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Pagliacci / Act 2: "E dessa! Dei, come è bella" | Ruggero Leoncavallo, Ingvar Wixell, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | A Major | 2 | 11B | 77 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
La Coccinelle, WD 87 | Georges Bizet, Sylvia McNair, Roger Vignoles | A♭ Major | 0 | 4B | 132 BPM | ||
Otello, Act III: Act III: A terra! … si … nel livido fango (Desdemona, Emilia, Cassio, Roderigo, Lodovico, Chorus, Iago, Otello) | Giuseppe Verdi, Raffaella Angeletti, Luis Dámaso, Marife Nogales, Los Peques del León de Oro, Kristjan Mõisnik, Vicenc Esteve, Orfeon Donostiarra, Oviedo Filarmonía, Sebastian Catana, Robert Dean Smith, Friedrich Haider | E Minor | 0 | 9A | 172 BPM |