Traditional, Wu Wei, Holland Baroque's 'Abendmusik (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)' had a release date set for June 1, 2019. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Silk Baroque". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Abendmusik (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abendmusik (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) by Traditional, Wu Wei, Holland Baroque having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Byzantine Liturgy: Dostoino est (It is worthy), For male choir | Traditional, Chamber Choir, Lege Artis | A Major | 1 | 11B | 130 BPM | ||
Chant Lithurgique (Paix Avec Nous) | Ensemble des chants et choeurs russes orthodoxes | D♭ Minor | 0 | 12A | 74 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Identity & The Ground | Majorstua Kammerkor & Tore Erik Mohn | A♭ Major | 0 | 4B | 89 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
To Thee We Sing | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
Thou Dost Intercede for All, O Good One | The Choir of the Dormition Church of the Novodevichy Convent | A Major | 2 | 11B | 65 BPM |