"Resonemus hoc natali" by Anon. St. Martial, Anonymous, Theatre Of Voices, Paul Hillier was released on 1996. The duration of Resonemus hoc natali is about 3 minutes long, at 3:23. Based on our data, "Resonemus hoc natali" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Paul Hillier, Theatre Of Voices's "Monastic Chant - 12th & 13th Century European Sacred Music" album is number 1 out of 45. On top of that, United States appears to be the country where this track was created. The popularity of Resonemus hoc natali is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Resonemus hoc natali by Anon. St. Martial, Anonymous, Theatre Of Voices, Paul Hillier to be Presto (very, very fast) because the track has a tempo of 187 テンポ, a half-time of 94テンポ, and a double-time of 374 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exaltation of the Holy Cross: Irmos of the 5th Ode | Choir of the Monks of Chevetogne | A♭ Minor | 1 | 1A | 138 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
La Messe: Introït "Signum Magnum" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | F♯ Minor | 1 | 11A | 135 BPM | ||
Cheruvimskaja Piesn | St. Peter St. Paul Cathedral Choir of Minsk | A♭ Minor | 1 | 1A | 77 BPM | ||
Escatologia. Canto Al Vangelo: Assumpta Est Maria | Canonici Regolari Si Sant'Antimo | D♭ Major | 1 | 3B | 143 BPM | ||
Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | D♭ Minor | 2 | 12A | 107 BPM | ||
Sheppard: Media Vita - 1. Media Vita in Morte Sumus | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 65 BPM | ||
Chant Lithurgique (Paix Avec Nous) | Ensemble des chants et choeurs russes orthodoxes | D♭ Minor | 0 | 12A | 74 BPM | ||
Arvo Pärt : O Adonaï | Unknown, Mikrokosmos | D♭ Major | 0 | 3B | 168 BPM | ||
Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM |