Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen"

Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger
Quintessence J.S. Bach: Matthäus Passion, Johannes Passion
8:50 2019年10月1日
テンポ
178
キー
D Major
キャメロットミュージックキー
10B

リンクを埋め込む

共有

Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen" - Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger 情報

音響性
98%
ダンサビリティ
12%
エネルギー
19%
手段性
0%
活気
13%
ラウドネス
74%
話し言葉
3%
価数
21%
人気
ラウドネス
-15.636 dB

まとめ

Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger's 'Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen"' came out on October 1, 2019. Since Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. The popularity of Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen" テンポ

With Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a テンポ of 178 with a half-time of 89 テンポ and a double-time of 356 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen" キー

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege"Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus WienD♭ Major13B116 BPM
Backe, backe Kuchen; Meine Mu, meine Mu, meine Mutter schickt mich her by Rundfunk-Kinderchor LeipzigBacke, backe Kuchen; Meine Mu, meine Mu, meine Mutter schickt mich herRundfunk-Kinderchor LeipzigE Minor19A79 BPM
Matthäus-Passion, BWV 244, Erster Teil: 9. (Evangelist und Chorus) Matthäus-Passion, BWV 244, Erster Teil: 9. (Evangelist und Chorus) "Aber am ersten Tag der süßen Brot"Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Ian Bostridge, Philippe HerrewegheF♯ Major12B102 BPM
A, a, a, der Winter der ist da by Philharmonischer Kinderchor DresdenA, a, a, der Winter der ist daPhilharmonischer Kinderchor DresdenG Major19B87 BPM
En natus est Emanuel by Michael Praetorius, Peter Kopp, Vocal Concert DresdenEn natus est EmanuelMichael Praetorius, Peter Kopp, Vocal Concert DresdenF Major17B120 BPM
Süßer die Glocken nie klingen by Karel Gott, Die Prager MadrigalistenSüßer die Glocken nie klingenKarel Gott, Die Prager MadrigalistenC Major48B88 BPM
Es ist ein Ros entsprungen by Michael Praetorius, Jan Sandström, Voces8Es ist ein Ros entsprungenMichael Praetorius, Jan Sandström, Voces8F Major07B126 BPM
Aba Heidschi Bumbeidschi by Die Schöneberger SängerknabenAba Heidschi BumbeidschiDie Schöneberger SängerknabenC Major28B98 BPM
Lustgarten Neuer Teutscher Gesäng (1601): Intraden Nos. V, IX & Gagliarda by Hans Leo Hassler, Brass Ensemble of the Berlin Philharmonic OrchestraLustgarten Neuer Teutscher Gesäng (1601): Intraden Nos. V, IX & GagliardaHans Leo Hassler, Brass Ensemble of the Berlin Philharmonic OrchestraB♭ Major26B119 BPM
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! by Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan LeusinkIV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet!Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan LeusinkF♯ Major32B79 BPM
ISRC
NLY331502671
レコードレーベル
L-M Records/RCA Records