"Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XIX" by Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra had its release date on August 4, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 14 out of 28 in Dvořák: Cello Concerto, Symphonic Variations & Symphony No. 7 by Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra, Natalia Gutman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XIX is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XIX by Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: III. (b) Trio | Ludwig van Beethoven, Wolfgang Sawallisch, Royal Concertgebouw Orchestra | D Major | 0 | 10B | 112 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXVI | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Piano Trio in A Minor, M.67: I. Modéré | Maurice Ravel, François-Xavier Poizat, Michael Foyle, Jamie Walton | F♯ Major | 0 | 2B | 87 BPM | ||
Lestocq, S. 24: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Minor | 1 | 6A | 113 BPM | ||
Elijah, Op. 70, MWV A25 - German Text / Part 1: Einleitung: "So wahr der Herr, der Gott Israels, lebet | Felix Mendelssohn, Theo Adam, Wolfgang Sawallisch, Gewandhausorchester | G Major | 1 | 9B | 145 BPM | ||
Rimsky-Korsakov: The Snow Maiden, Act 3: Dance of the Tumblers | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 2 | 8B | 145 BPM | ||
Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek | B♭ Major | 2 | 6B | 107 BPM | ||
Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
My Grief | John Bull, Mishka Rushdie Momen | F♯ Major | 0 | 2B | 66 BPM |