"Instrumental piece I" by Hildegard von Bingen, Sequentia, Barbara Thornton, Benjamin Bagby was released on 1994. Since Instrumental piece I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 91 in the song's album "Sequentia: Hildegard von Bingen". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Instrumental piece I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Instrumental piece I by Hildegard von Bingen, Sequentia, Barbara Thornton, Benjamin Bagby having a テンポ of 43 with a half-time of 22 テンポ and a double-time of 86 テンポ, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe vidi turbam magnam: No. 4, Graduel. Exaltent eum | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | A Minor | 0 | 8A | 105 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
Troparion for Holy Wednesday | Kassia, Cappella Romana, members, Alexander Lingas | C Major | 1 | 8B | 137 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Dufay: Vergine bella | Guillaume Dufay, David Munrow | A Minor | 1 | 8A | 174 BPM | ||
Amour m'a le cuer mis en tel martire (ballade) | Anthonello de Caserta, Gérard Lesne, Alla Francesca | B♭ Minor | 0 | 3A | 80 BPM | ||
Holborne: The Fairy Round (Galliard No. 3) | Anthony Holborne, David Munrow, Early Music Consort Of London | C Major | 1 | 8B | 118 BPM | ||
Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | ||
Chansons: Amoreux suy et me vient toute joye | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Minor | 3 | 1A | 107 BPM |