On 1976, the song "Holborne: The Fairy Round (Galliard No. 3)" was released by Anthony Holborne, David Munrow, Early Music Consort Of London. With Holborne: The Fairy Round (Galliard No. 3) being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Munrow, Early Music Consort Of London's "Instruments of Middle Age and Renaissance" album is number 10 out of 61. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Holborne: The Fairy Round (Galliard No. 3) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Holborne: The Fairy Round (Galliard No. 3) by Anthony Holborne, David Munrow, Early Music Consort Of London to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Round | Anthony Holborne, Hopkinson Smith | E♭ Major | 0 | 5B | 82 BPM | ||
La Gamba in Basso e Soprano | Vincenzo Ruffo, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Fantasia [Castelfranco Manuscript] | Francesco da Milano, Paul O'Dette | G Minor | 0 | 6A | 117 BPM | ||
Quinta a 4, Canto Alto Tenor Basse | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | B♭ Major | 2 | 6B | 116 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM | ||
Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Cecchina (Corrente) | Bellerofonte Castaldi, Evangelina Mascardi | D Minor | 1 | 7A | 90 BPM | ||
Adue Sweet Love | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 110 BPM |