Miroslav Kejmar, Ales Barta's 'Trumpet Concerto In B-flat Major 2 Allegro' came out on November 18, 2011. With this song being about 5 minutes long, at 4:44, "Trumpet Concerto In B-flat Major 2 Allegro" by Miroslav Kejmar, Ales Barta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Miroslav Kejmar & Ales Barta's "MIREK 70TH" album is number 19 out of 23. In terms of popularity, Trumpet Concerto In B-flat Major 2 Allegro is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Trumpet Concerto In B-flat Major 2 Allegro by Miroslav Kejmar, Ales Barta to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Norma / Act 2: Scena - Introduzione | Vincenzo Bellini, Orchestra of the Welsh National Opera, Richard Bonynge | D Minor | 0 | 7A | 118 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Norma / Act 2: Dammi quel ferro | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 1 | 3B | 78 BPM | ||
Bellini: Il Pirata, Act 1: "Perché cotanta io prendo" (Imogene, Gualtiero) [Live] | Vincenzo Bellini, Maria Callas, Pier Miranda Ferraro, Nicola Rescigno, Orchestra of the American Opera Society | A Major | 3 | 11B | 91 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Bellini: La sonnambula, Act II: "Ah! No credea mirarti" (Amina, Elvino, Rodolfo, Coro) | Vincenzo Bellini, Natalie Dessay, Carlo Colombara, Choeurs de l'Opéra National de Lyon, Francesco Meli, Evelino Pidò, Orchestre De L'Opéra National De Lyon | B♭ Major | 2 | 6B | 67 BPM |