"Offenbach: Grand Concerto for Cello in G Major, "Concerto Militaire": II. Andante" by Jacques Offenbach, Edgar Moreau, Raphaël Merlin, Les Forces Majeures was released on February 15, 2019. Since Offenbach: Grand Concerto for Cello in G Major, "Concerto Militaire": II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Offenbach & Gulda: Cello Concertos". In this album, this song's track order is #2. Offenbach: Grand Concerto for Cello in G Major, "Concerto Militaire": II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Offenbach: Grand Concerto for Cello in G Major, "Concerto Militaire": II. Andante by Jacques Offenbach, Edgar Moreau, Raphaël Merlin, Les Forces Majeures having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Operetta Le 66: X. 10. Je m'en suis flanque pour ne bonne somme | Jacques Offenbach, Kölner Akademie, Michael Alexander Wilens, Sandrine Buendia, Pierre-antoine Chaumien | B♭ Minor | 1 | 3A | 134 BPM | ||
Piano Trio No. 2 in E-Flat Major, K. 498, "Kegelstatt": I. Andante | Wolfgang Amadeus Mozart, Martin Fröst, Antoine Tamestit, Leif Ove Andsnes | E♭ Major | 1 | 5B | 140 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): 2. Barbe-Bleu - La Fille du Tambour-Majeur | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 89 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
Strauss, R, String Sextet from Capriccio, Op. 65 | Richard Strauss, Artemis Quartet, Thomas Kakuska, Valentin Erben | F Major | 1 | 7B | 82 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (a) Introduction. Grave | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM |