"The Greek Passion, H. 372, Act IV: The Name of the Young Man Was Written in the Snow (Kateřina, vdova)" by Bohuslav Martinů, Jaroslav Horáček, Vilém Přibyl, Richard Novak, Eva Děpoltová, Libor Pešek, Czech Radio Symphony Orchestra, Prague Radio Symphony Orchestra was released on 1983. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bohuslav Martinů, Jaroslav Horáček, Vilém Přibyl, Richard Novak, Libor Pešek, Czech Radio Symphony Orchestra's "Martinů: The Greek Passion" album is number 28 out of 28. On top of that, Czechia appears to be the country where this track was created. The Greek Passion, H. 372, Act IV: The Name of the Young Man Was Written in the Snow (Kateřina, vdova) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Greek Passion, H. 372, Act IV: The Name of the Young Man Was Written in the Snow (Kateřina, vdova) by Bohuslav Martinů, Jaroslav Horáček, Vilém Přibyl, Richard Novak, Eva Děpoltová, Libor Pešek, Czech Radio Symphony Orchestra, Prague Radio Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Film en miniature, H. 148: V. Chanson | Bohuslav Martinů, Giorgio Koukl | G Major | 1 | 9B | 85 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Jaro v zahrade (Spring in the Garden), H. 125: II. Myslim, ze bych uz mel jit spat. (I think I should go to sleep now) | Bohuslav Martinů, Giorgio Koukl | C Major | 1 | 8B | 70 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Introduction. Maestoso ed adagio | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 68 BPM | ||
Saint-Saëns: Tarentelle, Op. 6 | Camille Saint-Saëns, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | A Minor | 1 | 8A | 75 BPM | ||
Symphony No. 2 in C minor, Op. 29: V. Maestoso | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM |