"The Merry Widow / Act 2: Duet: Love unspoken, love unbroken" by Franz Lehár, Werner Krenn, Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1978. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Lehár, Joan Sutherland, Valerie Masterson, Regina Resnik, Werner Krenn, John Brecknock, National Philharmonic Orchestra, Richard Bonynge's "Léhar - The Merry Widow - Highlights" album is number 14 out of 14. The Merry Widow / Act 2: Duet: Love unspoken, love unbroken is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Merry Widow / Act 2: Duet: Love unspoken, love unbroken by Franz Lehár, Werner Krenn, Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Per la gloria d'adorarvi | Giovanni Bononcini, Ramón Vargas | A Major | 2 | 11B | 112 BPM | ||
Dein ist mein ganzes Herz | Rudolf Schock | D♭ Major | 3 | 3B | 46 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Wo die Lerche singt, Act I: "Bitte nehmens' doch Platz bei der Laube" - "Auf dem Bankerl" (Vilma, Margit, Pál) | Franz Lehár, Großes Wiener Rundfunkorchester, Esther Rethy, Else Macha, Ernst Tautenhayn | A♭ Major | 2 | 4B | 110 BPM | ||
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa) | Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli | E♭ Major | 1 | 5B | 178 BPM | ||
Un moto di gioia mi sento, K.579 | Wolfgang Amadeus Mozart, Edita Gruberova, Vienna Chamber Orchestra, György Fischer | D Major | 2 | 10B | 130 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Owami - Lehar Remix | Oluhle, Collé, Franz Lehár | F Minor | 8 | 4A | 120 BPM |