Johann Pachelbel, Enrico Bissolo's 'Hexachordum Apollinis: No. 1 in D Minor, Aria & 6 Variations, P. 193' came out on August 19, 2022. Since Hexachordum Apollinis: No. 1 in D Minor, Aria & 6 Variations, P. 193 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Pachelbel: Hexachordum Apollinis, P. 193-198 & Chaconne in C Major, P. 38". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. Based on our statistics, Hexachordum Apollinis: No. 1 in D Minor, Aria & 6 Variations, P. 193's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hexachordum Apollinis: No. 1 in D Minor, Aria & 6 Variations, P. 193 by Johann Pachelbel, Enrico Bissolo having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Concerto No. 2 in E Major, SF 938 "La Cetra": II. Moderato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | E♭ Minor | 1 | 2A | 111 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Samson, HWV 57: Samson, HWV 57, Sinfonia: I. Andante | George Frideric Handel, Peter Whelan, Irish Baroque Orchestra | F♯ Major | 2 | 2B | 176 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Flute Sonata in E Minor, Op. 1 No. 1b, HWV 359b: IV. Allegro | George Frideric Handel, Dorothea Seel, Luca Guglielmi | C Major | 0 | 8B | 78 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM |