Jun Yi Ma, Tasmanian Symphony Orchestra, Andrew Greene's 'Halloween Night: I. The Witches and the Pumpkins (Arr. Andrew Greene)' came out on October 5, 2012. With Halloween Night: I. The Witches and the Pumpkins (Arr. Andrew Greene) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Tasmanian Symphony Orchestra's "Halloween Classics" album is number 2 out of 25. In terms of popularity, Halloween Night: I. The Witches and the Pumpkins (Arr. Andrew Greene) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Halloween Night: I. The Witches and the Pumpkins (Arr. Andrew Greene) by Jun Yi Ma, Tasmanian Symphony Orchestra, Andrew Greene to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 99 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. for Cello and Orchestra) | Pyotr Ilyich Tchaikovsky, Jan Vogler, Helmut Branny | B Major | 1 | 1B | 82 BPM | ||
Wiegenlied, Op.49, No.4 | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 82 BPM | ||
Five Bagatelles, Op.23 - Arr. Ashmore, Dickson: 3. Carol | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 80 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Symphony Concertante in D Major, Op. 20: III. Polonaise | Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths | D Major | 2 | 10B | 93 BPM |