Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner's 'Ballsirenen: Walzer' came out on January 1, 1999. Since Ballsirenen: Walzer is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wiener Soirée by Wiener Philharmoniker, John Eliot Gardiner. The song's track number on the album is #3 out of 9 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Ballsirenen: Walzer is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ballsirenen: Walzer by Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Ballsirenen: Walzer being at 101 テンポ, the half-time would be 50 テンポ with a double-time of 202 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Miniatures (Arr. T. Batiashvili for Violin & Orchestra): No. 2, Suliko | Sulkhan Tsintsadze, Lisa Batiashvili, Georgisches Kammerorchester | A Major | 0 | 11B | 131 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Can-Can - Live | Jacques Offenbach, Wiener Philharmoniker, Lorin Maazel | D Major | 6 | 10B | 172 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM | ||
Swedish Rhapsody No. 1, Op. 19 'Midsummer Vigil' | Hugo Alfvén, Bournemouth Symphony Orchestra, Paavo Berglund | D Major | 2 | 10B | 101 BPM | ||
Wiener Bürger, Op.419: Walzer | Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner | C Major | 1 | 8B | 98 BPM | ||
Wiener Frauen (Excerpts): Ouvertüre | Franz Lehár, Max Schönherr, Grosses Wiener Rundfunkorchester | F Major | 1 | 7B | 81 BPM | ||
Gaîté parisienne: Barcarolle - Excerpt | Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 68 BPM | ||
Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM |