"Gaîté parisienne: Barcarolle - Excerpt" by Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit was released on June 19, 2020. The duration of Gaîté parisienne: Barcarolle - Excerpt is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Gaîté parisienne: Barcarolle - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. Since Offenbach: Gaîté parisienne: Barcarolle (Excerpt) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Gaîté parisienne: Barcarolle - Excerpt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gaîté parisienne: Barcarolle - Excerpt by Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
Sinfonietta pour orchestre: 1. Allegro con fuoco | Francis Poulenc, Orchestre National De France, Charles Dutoit | F Major | 1 | 7B | 71 BPM | ||
Le Carnaval des Animaux, R.125: 11. Pianistes | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | C Major | 1 | 8B | 87 BPM | ||
Duos for Two Cellos, Op. 49 No. 1 in C Major: II. Andante | Jacques Offenbach, Giovanni Sollima, Andrea Noferini | G Major | 0 | 9B | 80 BPM | ||
L'Arlésienne Suite No. 2: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 81 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Music for the Royal Fireworks (Excerpts): 5. La rejouissance. Allegro | George Frideric Handel, New York Philharmonic, Pierre Boulez | D Major | 5 | 10B | 113 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM |