Bedřich Smetana, Symphony Orchestra Of Canada, Stefanos Karabekos's 'Dance Of The Comedians' came out on January 1, 2002. With this song being about 5 minutes long, at 5:27, "Dance Of The Comedians" by Bedřich Smetana, Symphony Orchestra Of Canada, Stefanos Karabekos is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 10 in Expressions of the Canadian Heart by Symphony Orchestra Of Canada, Stefanos Karabekos. Dance Of The Comedians is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dance Of The Comedians by Bedřich Smetana, Symphony Orchestra Of Canada, Stefanos Karabekos is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Smetana: Memories of Bohemia in the Form of Polkas, Op. 12: No. 1 in A Minor | Bedřich Smetana, András Schiff | A♭ Major | 0 | 4B | 120 BPM | ||
Festive Overture Op.96 | Dmitri Shostakovich, Philharmonia Orchestra, Vladimir Ashkenazy | A Major | 4 | 11B | 80 BPM | ||
The Kiss, JB 1:104, Act II, Scene 3: Just Ask for It, You Fool (Lukáš, mladý vdovec, Tomeš, švagr Lukášův) | Bedřich Smetana, Beno Blachut, Přemysl Kočí, Prague National Theatre Orchestra, Zdeněk Chalabala | E Major | 3 | 12B | 169 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 1 | 12B | 79 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
Overture Orpheus in the Underworld | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 1 | 10B | 76 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |