Traditional, Riku Niemi, Veijo Laine, Matti Salminen, Tampere Philharmonic Orchestra's 'Laulu Dnjeprille (Song of Dnieper)' came out on January 1, 2001. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vocal Recital: Salminen, Matti (Slavonic Romances) by Riku Niemi, Veijo Laine, Matti Salminen. The song's track number on the album is #8 out of 15 tracks. Based on our data, Finland was the country where this track was produced or recorded. The popularity of Laulu Dnjeprille (Song of Dnieper) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Laulu Dnjeprille (Song of Dnieper) by Traditional, Riku Niemi, Veijo Laine, Matti Salminen, Tampere Philharmonic Orchestra has a tempo of 166 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Laulu Dnjeprille (Song of Dnieper) being at 166 テンポ, the half-time would be 83 テンポ with a double-time of 332 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 1/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holy God | Credo Chamber Choir | B Major | 1 | 1B | 132 BPM | ||
Troparion for Holy Wednesday | Kassia, Cappella Romana, members, Alexander Lingas | C Major | 1 | 8B | 137 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Ukuthula | n/a, Traditional, Drakensberg Boys Choir | B Major | 1 | 1B | 55 BPM | ||
The Hymn for the Day | The Choir of the Dormition Church of the Novodevichy Convent | D♭ Major | 3 | 3B | 0 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM | ||
Kyrie Eleison: Iv Gregorianske Messe | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM |