Johann Strauss II, Wiener Philharmoniker, Karl Böhm made "Tritsch-Tratsch-Polka, Op. 214" available on 1973. The duration of Tritsch-Tratsch-Polka, Op. 214 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Tritsch-Tratsch-Polka, Op. 214's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Strauss II, Wiener Philharmoniker, Karl Böhm's "Johann Strauss: Kaiserwalzer; Emperor Waltz; Walzer und Polkas" album is number 2 out of 8. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Tritsch-Tratsch-Polka, Op. 214's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tritsch-Tratsch-Polka, Op. 214 by Johann Strauss II, Wiener Philharmoniker, Karl Böhm to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 : An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 | Strauss Festival Orchestra, Johann Strauss II | D Major | 0 | 10B | 91 BPM | ||
Walzer No. 2 | Bremer Kaffeehaus-Orchester | C Minor | 1 | 5A | 94 BPM | ||
Suite for Flute, Strings and Continuo in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Magali Mosnier, Michael Hofstetter | D Major | 2 | 10B | 105 BPM | ||
Carmen: Overture | Georges Bizet, Herbert von Karajan, Wiener Philharmoniker | D Minor | 4 | 7A | 126 BPM | ||
España, Walzer, Op. 236 | Émile Waldteufel, Mariss Jansons, Wiener Philharmoniker | F Major | 4 | 7B | 115 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Daniel Barenboim | F Major | 0 | 7B | 126 BPM | ||
Auf Wiener Art, Polka française | Joseph Hellmesberger, Jr., Lorin Maazel, Wiener Philharmoniker | E Major | 6 | 12B | 169 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
Le carnaval des animaux, R. 125: VI. Kangourous | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Major | 0 | 6B | 76 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM |