"Suite for Flute, Strings and Continuo in B Minor, BWV 1067: VII. Badinerie" by Johann Sebastian Bach, Magali Mosnier, Michael Hofstetter was released on November 16, 2009. With Suite for Flute, Strings and Continuo in B Minor, BWV 1067: VII. Badinerie being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 17 in Bach by Johann Sebastian Bach, Magali Mosnier, Michael Hofstetter. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Suite for Flute, Strings and Continuo in B Minor, BWV 1067: VII. Badinerie is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for Flute, Strings and Continuo in B Minor, BWV 1067: VII. Badinerie by Johann Sebastian Bach, Magali Mosnier, Michael Hofstetter is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. for Cello and Orchestra) | Pyotr Ilyich Tchaikovsky, Jan Vogler, Helmut Branny | B Major | 1 | 1B | 82 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: VIII. Badinerie | Johann Sebastian Bach, The English Concert, Trevor Pinnock | G Minor | 3 | 6A | 97 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Kinder-Symphonie ("Berchtoldsgadener") C Major | Leopold Mozart, Kremerata Baltica, Gidon Kremer | C Major | 2 | 8B | 136 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: I. Allegro | Joseph Haydn, Alison Balsom, Thomas Klug, Deutsche Kammerphilharmonie Bremen | A Major | 2 | 11B | 102 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro non troppo | Johann Sebastian Bach, Kammerorchester Berlin, Helmut Koch | F Major | 4 | 7B | 143 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Allegretto pastorale) | Edvard Grieg, Andrew Davis, New Philharmonia Orchestra | D Major | 2 | 10B | 96 BPM |