Wolfgang Amadeus Mozart, Klaus-Peter Modest, Miki Sahashi, Capella Istropolitana's 'Die Zauberflöte, K. 620, Act II: "Der Hölle Rache kocht in Meinem Herzen"' came out on October 9, 2021. The duration of Die Zauberflöte, K. 620, Act II: "Der Hölle Rache kocht in Meinem Herzen" is about 3 minutes long, at 3:09. Based on our data, "Die Zauberflöte, K. 620, Act II: "Der Hölle Rache kocht in Meinem Herzen"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Die Zauberflöte, K. 620, Act II: "Der Hölle Rache kocht in Meinem Herzen"" is a single. Based on our statistics, Die Zauberflöte, K. 620, Act II: "Der Hölle Rache kocht in Meinem Herzen"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Zauberflöte, K. 620, Act II: "Der Hölle Rache kocht in Meinem Herzen" by Wolfgang Amadeus Mozart, Klaus-Peter Modest, Miki Sahashi, Capella Istropolitana is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | C Major | 1 | 8B | 119 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |