"Trombone Concerto: I. Realisation" by Dani Howard, Peter Moore, Royal Liverpool Philharmonic Orchestra, Michael Seal was released on March 22, 2024. Trombone Concerto: I. Realisation is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The song is number 2 out of 7 in Dani Howard: Orchestral Works by Dani Howard, Royal Liverpool Philharmonic Orchestra, Peter Moore, Michael Seal, Pablo Urbina. Based on our statistics, Trombone Concerto: I. Realisation's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trombone Concerto: I. Realisation by Dani Howard, Peter Moore, Royal Liverpool Philharmonic Orchestra, Michael Seal is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kujawiak | Mieczysław Weinberg, Gidon Kremer, Andrei Pushkarev, Kremerata Baltica | A Minor | 1 | 8A | 95 BPM | ||
Collage über B-A-C-H: I. Toccata | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson | B♭ Major | 2 | 6B | 124 BPM | ||
4 Dance Episodes from Rodeo: No. 2, Corral Nocturne | Aaron Copland, Louis Lane, Atlanta Symphony Orchestra | D♭ Minor | 1 | 12A | 164 BPM | ||
Barjac | Leonard Küßner, Slovak National Symphony Orchestra | F♯ Major | 1 | 2B | 82 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Postlude | Leonard Bernstein, Orchestre Symphonique de Montréal, Kent Nagano | E Minor | 0 | 9A | 86 BPM | ||
The Firebird Suite, K010, (1945 Version): X. Infernal dance of King Kashchei | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | A Major | 3 | 11B | 113 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
À la manière de Borodine, M. 63/1 (Arr. for Saxophone Quartet by Guillaume Berceau) | Maurice Ravel, Quatuor Zahir | D Minor | 2 | 7A | 82 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: VI. The Chase | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F♯ Minor | 2 | 11A | 107 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM |